Tag Archives: Funimation

Funimation schedules Geneon

Funimation is on the ball.  They already have a list of the first Geneon titles which will continue their releases and when:

August 19th
Black Lagoon Volumes 1 - 3 (that’s the entire season)
Black Lagoon: The Second Barrage Volume 1
Elemental Gelade Volume 1

September 2
Karin Volumes 1 - 4
Kyo kara Maoh! season 2’s volume 1-7

September 9
Shakugan no Shana Box Set (can I buy, you know, just the box?)

September 16
Black Lagoon: The Second Barrage Volume 2
Fate/Stay Night Box Set
Hellsing Ultimate Volumes 1-4
Rozen Maiden box set

September 23
Kamichu box set
Paradise Kiss box set

September 30
When They Cry - Higurashi volumes 1-4

This is an interesting strategy.

For series which are finished, they’re just releasing the box set.  That was kind of a “duh,” though I noticed that either they didn’t get the Shana OVA, or they’re going to release that separately (but haven’t scheduled it yet), or they’re including it in the box set and they’re going to make me buy the box to get it (yeah right since I already own the entire series).

The bigger question was, for the series which were stopped in the middle, would they release previous volumes, and the answer obviously appears to be yes.  However, hey’re doing it in bulk so they can speed it up, and then picking up where they left off.  That’s an interesting strategy, and I’m wondering how much of that is just old Geneon stock holed up in a warehouse somewhere?

Also, am I the only one who finds it odd that they’re re-releasing Elemental Gelade on a volume-by-volume basis and not as a box?

And I’m serious…can I buy just the Shana box by itself?  They never sold a box for the Shana series before (I think they were planning on selling it with the OVA).

Anime Expo Round-up

So, who scored big and who lost big (if that’s the best way to put it) at Anime Expo?

Well, it looks like the convention itself scored big once again with 43,000 paid attendees, which is up from 41,500 last year, a 3.6% increase.

Now, here is the licensing round-up from the convention:

ADV Films

While none of this technically took place at Anime Expo, obviously the big loser of the weekend was ADV Films who had Sojitz leaving their agreement with ADV, taking 32 anime licenses with them.  ADV said they had a new partner in Japan and were negotiating to get 23 new licenses, but nothing new was announced at AX.

Bandai Entertainment

Bandai Enterainment announced that they have licensed the Hayate the Combat Butler anime and the Girl Who Leapt Through Time manga.

Bandai also announced the dub cast for Gurren Lagann, as well as announced details regarding their new Honneamise label, which is where most of Bandai Visual’s titles are going.

Dark Horse

Dark Horse announced the license for the Neon Genesis Evangelion: The Shinji Ikari Raising Project manga by Osamu Takahashi.

Digital Manga

Digital Manga picked up more titles than God at AX, including:

  • Utahime - Princess Song by Aki
  • Overclock: Once in a Blue Moon by Riya Hozumi and Ryouko Seki
  • Ghost Hunt Scramble by Ototachibana
  • Tale of a White Night by Tooko Miyagi
  • 1 Sakura Hill by Fujiko Kosumi
  • Lyrical Nanoha StrikerS by Maki Tsuzuki and Kōji Hasegawa
  • RH Plus by Ayako Suwa
  • Time for Magic by Morehe Yoshida
  • Princess Princess+ By Mikiyo Tsuda
  • Happy Boys By Makoto Tateno
  • Wolf God by Ai Tenkawa
  • Otodama By Youka Nitta
  • Crimson Cross By Kyoko Negishi and Sakae Maeda
  • Millennium Prime Minister By Eiki Eiki
  • Hey Class President by Kaori Monchi
  • Dog x Cat by Yoshimi Amasaki
  • Desire-Dangerous Feelings by Shinobu Gotoh
  • Moonlit Promises by Souya Himawari
  • Tricky Prince by Yukari Hashida
  • Double Trouble by Takashi Kanzaki
  • Where has Love Gone? by Ryou Tsunoda
  • Then Comes Love by Riyu Yamakami
  • Pure Heart by Hyouta Fujiyama
  • The Way to Heaven by Yamimaru Enjin
  • Clan of the Nakagamis Volume 2 by Homerun Ken
  • The Object of my Affection by Nanao Okuda
  • Love/Knot by Hiroko Ishimaru
  • The Longest Time by Tohko Tateno
  • Live for Love by Jun Mayama and Itsuki Sato
  • Eat or Be Eaten by Jinko Fuyuno and Yamimaru Enjin
  • The Spiral of Sand by Yuna Aoi
  • Honey/Chocolate by Nanao Okuda
  • Manhatten Love Story by Monoko Tenzen
  • Planet of Earthquake by Miou Takaya
  • Cut by Toko Kawai
  • The Lonely Egoist by Hikaru Masaki and Masara Minase
  • When the Heavens Smile by Aki Senoo
  • Suggestive Eyes by Momoko Tenzen
  • Hey, Sensei by Yaya Sakuragi
  • Love Syndrome by Yura Miyazawa
  • Love Potion by Sakuya Fujii

Funimation

If ADV was the big loser this weekend, then Funimation was the big winner.  Again, while none of this technically was announced at Anime Expo itself, Funimation both picked up the right to distribute 18 Geneon titles, as well as picking up the rights to the 32 Sojitz titles that used to belong to ADV, giving then the rights to distribute 50 new anime titles, some of which hadn’t been complted or even started yet.

Out of the Sojitz announcement came the news that the OVA Murder Princess has been licensed.

Funimation also announced the dub cast for Ouran High School Host Club.

Go! Comi

Go! Comi licensed:

  • Angel’s Coffin By You Higuri
  • CROWN By You Higuri and Shinji Wada
  • Bound Beauty By Mick Takeuchi

CMX

CMX licensed The Name of the Flower by Ken Saito

Kadokawa Pictures USA

Kadokawa announced licenses for:

  • Coo ~ Our Guardian
  • H2O ~Footprints in the Sand~
  • Junjou Romantica
  • My Heartfelt Sympathy, Ninomiya-kun
  • Rental Magica
  • Spice and Wolf

Right Stuf/Nozomi

Right Stuf International announced new licenses for the Gakuen Alice anime series as well as DVD rights 1980 Toward the Terra movie (they had originally released it on VHS and Laserdisc).

TokyoPop

TokyoPop announced the following new licenses, among other things:

  • Phantom Dream By Natsuki Takaya
  • Tsubasa: Those with Wings By Natsuki Takaya
  • .hack//G.U. (novel) By Tatsuya Hamasaki
  • Peacemaker Kurogane (formerly released by ADV Manga) By Nanae Chrono
  • Momo Tama By Nanae Chrono
  • Castle of Dreams By Masami Tsuda
  • NG Life by Mizuho Kusanagi
  • This Ugly Yet Beautiful World By Ashita Morimi
  • Maid-sama! by Hiro Fujiwara
  • Demon Sacred by Natsumi Itsuki

Viz

Viz announced new licenses for:

  • Honey Hunt by Miki Aihara
  • Gestalt by Yun Kouga
  • Magic Touch by Izumi Tsubaki
  • Otomen by Aya Kanno

A little update on Funimation, Geneon, and ADV

I apologize to gia, but I think it will just be easier to quote from her post:

Fukunaga is now talking about FUNi’s major coup d’etats: the 10+ Geneon titles and the 32 ADV titles (Gen says 34– are there more to hear about? Hm).

Moving into questions…Will you go with box sets for the new titles? Yes if they can, but with Geneon most of the titles are part-in, so they want to start releasing the rest of the series. Also with Geneon, that’s a partnership and Geneon is continuing to dub and will finish all of their shows– it’s their productions still. So no dub changes! With ADV, they’re in talks to have ADV finish up the series, again to avoid dub disruption, but nothing’s set in stone yet.

First thought: The 34 could have been a misspeak, or it could mean they’re also grabbing 2 out of 5 of Best Student Council, Ghost Train, Innocent Venus, Kurau: Phantom Memory, and Synethesia and just haven’t announced it yet (I would have to imagine that ADV would fight to the death to keep 5 Centimeters Per Second).

Second, at least ADV may be able to make a little money to still being in charge of production of the series that were taken from them (Shattered Angels, NHK, Kanon, Tokyo Majin, and possibly Murder Princess, if any dubbing has taken place on it.  I’m not sure what else is still outstanding).  Same thing for Geneon, though Geneon has completed the dubs on a good portion of their shows anyway, so I’m not sure how much there is left to do.

Part of it, of course, could also be due to the fact that I’m sure Funimation may not want to see ADV go away, even though they are competitors.  Right now, Funimation is the undisputed King of anime, but it’s rarely good for an industry to have only one major player in the market (Yeah, I know Bandai Entertainment is still out there, but can anyone argue that they’re as big as Funi is now?).

Funimation takes over anime, aquires THIRTY ADV Titles

I’m guessing this is all part of the fallout between ADV and their licensing partner Sojitz as many of the titles on this list were on the list of suspended shows in February:

  • 009-1
  • Ah! My Goddess: Flights of Fancy
  • Air Gear
  • Air: The Movie
  • Air TV
  • Blade of the Phantom Master
  • Comic Party: Revolution
  • Coyote Ragtime Show
  • Devil May Cry
  • Guyver: The Bioboosted Armor TV
  • Jing, King of Bandits: Seventh Heaven
  • Jinki:Extend
  • Kanon
  • Kyoshiro to Towa no Sora (once titled as Shattered Angels by ADV Films)
  • Le Chevalier D’Eon
  • Magikano
  • Moeyo Ken TV
  • Moonlight Mile
  • Murder Princess
  • Nerima Daikon Brothers
  • Pani Poni Dash!
  • Project Blue Earth SOS
  • Pumpkin Scissors
  • Red Garden
  • Sgt. Keroro 1st & 2nd
  • Tokyo Majin
  • UFO Princess Valkyrie
  • Utawarerumono
  • Venus Versus Virus
  • The Wallflower
  • Welcome to the NHK
  • Xenosaga

All titles were on the list in February except for Shattered Angels, which was licensed after the snafu, Murder Princess, who previously hadn’t had a licensed announced for it, and Sgt. Keroro, possibly because it had no scheduled releases yet.

Shows on the list in February which are not on the list above include 5 Centimeters Per Second, Best Student Council, Ghost Train, Innocent Venus, Kurau: Phantom Memory, and Synethesia, so they are reportedly staying with ADV Films.

The bad thing for ADV in this deal is that it is quite possible that ADV didn’t get a penny from the transfer since the Japanese company they were partnering with held the actual licenses.  This could also be why ADV is in a hurry to license so many new shows, so they have a stream of income to replace these shows, since these constitute the bulk of all the shows that ADV has released over the past couple of years.

Funimation rescues When They Cry, Shakugan no Shana, Fate/Stay Night, plus others

In what can be filed under the “it’s about nut-#$%#@ing time” category, Funimation has announced that they are producing and distributing some of Geneon’s more popular series, including:

  • Black Lagoon (both seasons)
  • Elemental Gelade
  • Ergo Proxy
  • Fate/Stay Night
  • Hellsing Ultimate
  • Kamichu
  • Karin
  • Kyo kara Maoh! (2nd season only)
  • The Law of Ueki
  • Magical Girl Lyrical Nanoha (being released as Lyrical Nanoha)
  • Paradise Kiss
  • Rozen Maiden (both seasons)
  • Shakugan no Shana (released as just Shana by Geneon)
  • Shonen Onmyouji
  • The Story of Saiunkoku
  • When They Cry - Higurashi
  • Zero no Tsukaima (being released as the Familiar of Zero)
  • plus the live-action Ninja Vixens

Luckily for myself, I bought up the entire Shana series when Geneon shut down, but many of these other series I just haven’t gotten to yet. Most of these titles were the obvious choices to be picked up as well.

Also, apparently Geneon still holds the actual licenses to these series, but Funimation is going to do all the dirty work for them, including producing and distributing them.

The first titles are scheduled to start their release in Late Summer.

However, this brings up an interesting question…does this mean Geneon may appear on the licensing market again, but will just use Funimation to distribute, kind of in the mold of Kadowaka USA? That had been a possibility floated all along. I think it’s too early to know whether that is the case, however.

Added thought:

If I may, two glaring omissions to this list to me (which doesn’t impact me because I already have both series) are Haibane Renmei and Fushigi Yugi.  Just though I’d say that.

Funimation Licenses Strain, Shigurui, RxJ, and D. Gray Man

On top of the 3 licenses earlier this week, Funimation has now announced licenses for Strain: Strategic Armored Infantry (a.k.a. Soukou no Strain), Shigurui: Death Frenzy, Romeo x Juliet, and D. Gray-Man late last week and today.

That brings the total number of series licensed up to 7 this week. Funimation also reportedly said that they would announce Ouran High School Host Club’s release date on May 30th and also said that Darker than Black’s production has been delayed due to a materials dealy from Japan in their Anime Central panel today.

Gunslinger Girl -Il Teatrino- licensed by Funimation

Well, I was hoping I could get my review for episode 7 of this series out before this announcement, but oh well.  In any case, just as the hint yesterday suggested, Funimation has licensed Gunslinger Girl -Il Teatrino- and will release it in a single 13-episode set sometime in 2009.

As a result, I’m suspending my episode reviews for this series, as I quit downloading series once they’re licensed, which is a shame as I only got to see half the series subbed, so I’ll have to wait until 2009 to see how it finishes as well.

This series seemed to have a good storyline like the first, but the animation change from the first series just seemed to overshadow just about everything else on the series.  Hopefully that will get improved at least a little on the DVD release (though I seem to doubt it).

Funimation also licensed Save Me! Lollipop (a.k.a. Mamotte! Lollipop) and Kenichi the Mightiest Disciple (a.k.a. History’s Strongest Disciple Kenichi) earlier in the week.  Funimation states that there will be another licensing announcement tomorrow as well.  So far these have all been new series.  I wonder if we’ll see any Geneon rescues in this batch or not.

Looking at ICv2’s interview with Funimation’s CEO

Today, ICv2 posted an interview with Funimation CEO Gen Fukunaga, and it have some interesting and revealing things in it, I thought. I’ll quote some things from the interview and comment my thoughts on them.

The great news is that the consumer base continues to grow, meaning that more people are viewing anime and more people are interested in anime. They’re watching on TV more, and more titles are going on the airwaves because the networks do see that they are getting viewers from anime. People are watching it on the Internet, as the downloads are dramatically increasing; but, that leads to the problem that a lot of it is illegal.

The way to monetize that growing fan base is shifting away slightly from the DVD market. DVD sales are going down, per SKU, probably because of illegal downloads and also pricing. Anime has always been priced at a premium in the DVD market, and it probably has to come back in line with the rest of Hollywood now. Illegal downloads probably triggered that too, because it gave an easy alternative for the fan to get it if they thought the price was too high. I think illegal downloads are definitely an issue, and therefore the main mode of monetization of the customer is definitely suffering.

While I’m sure there will be some knee-jerk reaction from some people that fansubbing has nothing to do with falling sales, the people making those claims are probably the very people who don’t buy the DVDs because they download fansubs. While there are plenty of people like me who buy the DVDs after watching shows that I like fansubbed, unfortunately many people don’t, and I think Fukunaga’s assessment is probably about right.

Of course, one of the arguments that people make for downloading fansubs, as Fukunaga points out, is that anime DVDs are more expensive, per disc, than hollywood DVDs, and I’m sure it is welcome news to people’s ears that Fukunaga believes that the anime industry will have to start pricing down their DVDs more in line of hollywood movies. That means we could be looking at $15 to $20 per disc instead of $25 to $30 per disc in the reasonably near future.

Fukunaga also answers why the anime industry has been slow responding to things like piracy:

The big Hollywood studios have the power, and they’re going to set the standard on how protection is going to be enforced. We’re going to be more followers with whatever Hollywood does, so we’ve been watching what they’re doing and certainly we feel the anime industry must do a lot more anti-piracy work.

I suppose that makes sense: the anime distributors are pretty small, and don’t have a lot of money to spare, so it’ll be easier to piggy back on whatever hollywood does. Of course, that has the drawback of, if hollywood does something which is ineffective or dumb, then the anime companies are stuck with it, whether they want to be or not.

So what does Fukunaga think is the biggest reason for fansub downloading of anime?

The biggest problem is being caused by the timing gap, being that the illegal stuff comes out as it’s being broadcast in Japan and the stuff doesn’t get licensed for the U.S. for many months later. That gap is what’s creating a thorny problem for the U.S. market and the U.S. distributors. So if we can find a way to get rid of the gap or get rid of the fansubs themselves before they license it, that would make a huge difference. I think there are methods and techniques out there that would work if people are willing to invest the time, effort, and money to do it.

This sounds rather optimistic, as it follows in line with both what Justin Sevakis wrote at ANN, and what I wrote on this blog back in November. As for whether he thinks progress like that may really happen, especially since much of the resistence comes from the Japanese themselves:

From hearing what the Japanese feel, now that they’ve seen the huge difficulties some of our competitors are having, they’ve suddenly woken up in Tokyo.

Which is, of course, good news as well if you want your anime faster and better. As for legal downloading, Fukunaga says that Funimation plans to release as many series as they can on services such as the XBox 360 service and itunes, but that the biggest limitation to that is those services can only convert so many titles into downloadable form per month.

Then Fukunaga came up with this interesting tid bit (the question asked is in bold):

There has been a lot of talk about the three or four episode single-disc format and whether that’s a doomed format and everything’s going to go to season sets. What’s your feeling about that?

I think that’s exactly what will happen.

What is FUNimation going to do in that regard?

We’re going to follow that model as well.

So, Fukunaga thinks that the anime industry will need to both match prices of hollywood DVDs, but also thinks that single-DVD releases are doomed, and most likely series will be released as entire seasons. There are two mays to calculate this math, however. Just looking online at Amazon, the retail price for most TV series in boxes is something around $60. However, if he’s calculating it on a disc-by-disc basis with hollywood movies, it would be more like $15 - $20 per disc x 6 discs, or more like $90 to $120.

That’s a pretty big range to play with. My initial guess would be more the $90 to $120 calculation, given that $60 is usually more like the discount box set price for series after they’ve been out for a while, so I doubt that’s the price they’d go for to start out with.

There are, of course, pluses and minuses to all of this. One plus is that people can buy an entire series without having to wait half a year or a year for all the discs to be released, and anime companies don’t necessarily have to charge less for a season as a whole as they would for each disc individually.

The minus to this is that they may very well have to take a hit price wise for series to sell, and some people may be even more unwilling to buy up a series. If they’re hesitant to buy a single disc for $25 because they don’t know what the series is about, then they’re probably not going to buy an entire series for $100 for the same reason.

This suggests that anime companies may have to come up with a better way of allowing customers to preview a series before they buy it. One thought of mine is that, if they sell a series all together in a box, they could conceivably give away copies of the first disc as a way to allow people to preview the series.

Continuing with the interview, Fukunaga notes this, which is also an interesting prospect:

Another thing we’ve been seeing is releasing new anime series in a subbed-only format at a slightly lower per episode price, so you don’t have to create the English language track. Is that something that FUNimation is doing?

We are going to be doing that in the download-to-own area, digitally, because historically, those don’t turn enough to get it on retail shelves. The cost of the inventory and producing them and getting them out to retail hasn’t panned out because of the lower turns. With download, you don’t have those side issues, so we’re definitely going to do it in download.

That’s a very fascinating possibility to me: releasing sub-only releases as download-only releases. Of course, to please most anime fans, those would need to be DRM-free, or at least have a DRM that allows burning onto DVDs to be playable on DVD players.

As Fukunaga notes, having them be download only takes away the cost of packing, printing, and distribution sans server cost. That would make such shows quite cheap (relatively) to make, thus making them even less expensive to sell. That could allow many series that wouldn’t normally get licensed in the US to get distributed in the US, and that’s always a plus.

There is a lot more there in the interview, but I thought this was the most interesting stuff. Check it out. The good thing is that I think that Fukunaga has a good head on his shoulders on both what the current status of anime in America is, as well as ways to address the issues (and even many of their causes).

More AX licenses

Anime ExpoThis time it’s Bandai,Entertainment, Dark Horse, DrMaster, and Funimation

Bandai Entertainment
AIKa OVA
AIKa R-16 OVA
Mobile Suit Gundam Seed Destiny Special Edition
Silent Möbius
Silent Möbius 2

Dark Horse
Adaggio
Blood+
Blood+ (Novel)
Blood+ Russian Rose (Novel)
Bride of the Water God
Gantz
Ghost Talkers Daydream

DrMaster
Phantoms
Purgatory Kabuki
Metro Survive

Funimation
Darker than BLACK
Jyu Oh Sei
Negima!?
Tsubasa Chronicles Season 2

Added US Release Information to reviews + some general news

I added the US release information to the review links on the left (but not to the scrolling blog entries below). This includes who released the DVDs in the US for anime, and who published manga.

Just a small update, but I thought I might as well throw on who released them in the US too.

Some general news which has probably already been out there for a while, but I thought I would post here.

First, it appears that AnimEigo is going to re-release the Oh! My Goddess OVAs sometime in 2006.

Second, Kimi ga Nozomu Eien a.k.a. KimiNozo a.k.a. Rumbling Hearts is apparently going to be a 3-DVD monthly release by FUNimation starting in October, meaning that, if FUNimation remains on schedule, the series will be completed in it’s release in December.

Also, while the official title is “Rumbling Hearts” because thats how Media Factory (the Japanese distributor of it) wishes it to be referred to in the US, apparently FUNimation will be adding the full Japanese name as a subtitle to make people aware of what it is.