Category Archives: Conventions

In Baltimore Once Again

Well, not exactly in Baltimore.  More like a few miles to the south, but you know what I mean: I have arrived at my hotel for my 2nd year of Otakon.  Luckily this time I got hear before rush hour traffic, so the bad traffic wasn’t horrendous traffic like it was last year.

It once again rained so hard that I had to pull off for a bout 15 to 20 minutes this year, as it did last year, but this time I had built in enough leway that I still had plenty of time.  In a couple hours I’ll head down to the BCC to pick up my badge.

I’m interested to see what they have on the badges this year.  Last year I didn’t see anything that really interested me, so I just picked up Raxephon (of course, I had only been watching anime for about 2 years (vs. the 3 years now) so I have quite a few more shows under my belt this time.  I suggested that they should have a “Nice Boat” badge this year on the Otakon forums, but we’ll see if they will.

I’ll see if I can get some cosplay pictures too while I’m down there.

Otakon

Unless you’re visiting this blog for the first time in a while, you are probably aware that I’m going to Otakon this upcoming weekend.  As a result, there are several things I should note:

1) I have signed up for week-long wireless access to a wireless provider in Baltimore who at least says they have a router right across the street from the Convention Center.  I hope to be able to post updates to my blog whenever I get a free chance, but I’ll only know how good the connectivity is once I get there.  I will be able to post updates in the evening when I’m back at my hotel.

2) My back-up posting method is by twitter via text message.  If you haven’t noticed by now (largely because it makes my page load take longer), I have the two most recent twitter messages on my sidebar.  I’ll only have this during Otakon, so don’t worry about the slower page loads being anything permanent.  Any hot updates I’ll post there unless I miraculously have a wireless internet connection inside the panel rooms.

3) Don’t expect any episode reviews while I’m there.  I hardly have the time to do what I’m already doing, much less time to do that.  I’ll catch up when I get back.

4) I’ll try to get audio of some of the bigger panels that I attend, though that will depend on the quality of audo I can get.  It’s rather hit or miss.  If you don’t see any audio clips posted, you know why.

5) I’ll try to get a lot more pictures this time.  I was surprised by how few pictures I took last year.  Moar. I want Moar Pictures!

Oh yeah, and even though I may not hand out any, I ordered these cool Moo mini-cards for my blog.  They’re not exactly 100% kosher since the back side has images from various anime shows (with apologies to the people who made those shows), but it’s not exactly like I’m getting rich off this blog.

In any case, I’ll be heading out in the next hour or so, and I’ll make sure to post once I get into Baltimore!

Otakon Tweets on the Sidebar

I’ve activated a widget which shows the two lateast tweets from my twitter on the sidebar.  You can click to go to my twitter by clicking “Latest Tweets” or you can click to see each individual tweet.

Since I’m unsure whether I’ll have internet access within the convention center (it looks like most of the center is within about 300m of a wireless router across the street, I’m not taking any chances), I may end up having to post many of my updates via text message to twitter.  This way, a visitor to my site can see the lateast of what’s happening at Otakon.

Otakon Schedule Up

Here it is (pdf).

Huge gaps in the Hall D schedule and all.  Not sure what’s up with that, since I don’t recall such big gaps last year.  One person on the forum suggested that it was rehearsals, though I don’t know for what since Masquerade rehearsals appears to be in the Arena.  However, they don’t have TBAs either, so it’s possible that there is just nothing going on in there, which seems like a waste of space to me.

I’m also curious about the TBA between 12:30 and 2:30 PM in the HD theater on Friday.  Possibly Evangelion?  I’m not sure what else might be there which they wish to keep a secret unless it’s Ponyo.

Also, why have 3 workshop rooms if the vast, vast majority of the time there is nothing going on in there (by my count, there is a total of 46 hours of workshops.  At 38 hours of total convention time…38 hours x 3 rooms = 46 hours or programming?  I’m just sayin’.

Update

Looking back at last year’s schedule (I still have the booklet from last year), there were some gaps in the what was called Main Events room last year as well.  This year there is about 15 hours of dead time in Hall D while last year there was 17.5 hours, so it’s actually basically the same, plus 9 hours were spent on the Masquerade and a concert, which are taking place in the area this year.  So in reality, Otakon went from 13 hours of non-masquerade non-concert programming to 23 hours so it’s actually a significant increase, despite all the dead time.  And this doesn’t even account for 2 hours where the hall was used along with Video 1 for the AMV Contest.

So I guess despite all of the gaps in the Hall D schedule, it’s still a significant increase in programming.  I just think that it’s still a waste to have so much dead time, though, when you could be showing some popular shows (see: Girl Who Leapt Through Time) a 2nd or even 3rd time during those slots, but that’s just me.  I’m not organizing the thing and there are probably good reasons for the gaps.

My Tentative Otakon Panel Schedule

This is my personal tentative schedule for panels, at least as they are currently listed in the Event Planner on the Otakon website (a pretty neat thing).  Note that not all panels may be listed yet, and I’m sure times are tentative as well:

Friday, August 8th
1:00 PM - 2:00 PM: Lantis / JAM Project Q&A (Panel 3)
2:00 PM - 3:00 PM: FUNimation Q&A (Panel 2)
3:00 PM - 4:00 PM: Media Blasters Q&A (Panel 2)
4:00 PM - 5:00 PM: Kappei Yamaguchi Q&A #1 (Panel 4)

Wow, not a lot of panels on Friday that I’m interested in, at least that are listed yet.  Friday - especially the morning and evening - may be spent checking out the anime viewing rooms.  I may either skip the 1PM panel or leave early so that I can make sure I can get into the FUNimation panel.  I’m not sure what the policy is as far as attending two panels in the same room back-to-back (do you have to leave and get back in line, or not?) but last year it seemed that people didn’t care if one just hung out in the room.  Of course, I wasn’t necessarily attending packed panels either when I did that.

I also intend to visit the Dealers room as early as I can so I can grab up any remaining ADV titles which aren’t with ADV anymore which I may want to buy.  Again, not sure when it opens, but if it opens before 1PM, then you can bet that’s one thing I’ll be doing.

Saturday, August 9th
10:00 AM - 11:00 AM: Laura Bailey Q&A (Panel 3)
11:00 AM - 12:00 PM: Bandai (Panel 2)
2:00 PM - 3:00 PM: Kadokawa Pictures USA Premieres Panel (Panel 2)
3:00 PM - 4:00 PM: Media Blasters Premieres Panel (Panel 2)
4:00 PM - 5:00 PM: AMVs: From Concept to Planning (Panel 1)
5:30 PM - 7:00 PM: Fansubber and Industry Discussion (Panel 4)
9:00 PM - 10:00 PM: Bandai Surprise (Panel 2)

Again, based on how well attended the Industry Panels on Friday are, I may or may not skip or pop-out of the Laura Bailey panel early so I can hit Bandai.  Also, I have some nice breaks built into this schedule.  I can get lunch in the 12:00 PM - 2:00 PM break and grab dinner in the 7:00 PM - 9:00 PM break

Sunday, August 10th
11:00 AM - 12:00 PM: State of the Industry (Panel 4)
1:00 PM - 2:00 PM: ADV Announcements (Panel 1)
2:00 PM - 3:00 PM: Closing Ceremonies (Panel 4)
3:00 PM - 4:00 PM: Con Feedback Panel (Panel 4)

I’ll probably go straight from leaving the State of the Industry panel to stand in line for the ADV panel since that is a absolutely-must-attend panel for me.

Just another note, if they show The Girl Who Leapt Through Time or the new Evangelion movie, then that may impact things, depending on what they conflict with.  I would tend to prioritize them over the non-industry panels, but I would tend to put the industry panels over watching the movies.

Also, I’m just wondering why Otakon always tends to have panels like “Basic Photoshop” or “Basic Flash.”  I found that odd last year too, but I guess it’s a way to learn something new if there isn’t anything else interesting to you going on at the time being.

ADV will apparently be at Otakon after all

I just noticed that the Otakon panel list has been updated and now includes an ADV industry panel.

Originally ADV was not listed, making me wonder what the heck is going on (especially since they essentially promised some big announcements at Otakon).

Of course, being listed and actually having the panel are two different things, but ADV is now at least listed as having an industry panel at Otakon now.

Otakon announces tentative panel list - no ADV panel?

I had been waiting for this, and I’m kind of surprised there wasn’t an announcement on the Otakon home page, but Otakon has now released a tentative list of panels for their 2008 convention:

One notable panel not listed in the list is an ADV industry panel.  At Anime Expo, they said they hoped to be able to announce some things, including their new industry partner and possibly some new licenses at Otakon.  Well, that’s hard to do if you don’t even have a panel.  Of course, as I said, this is a tentative list, so they might be added later, but the lack of a panel listed right off the bat can’t be a great sign.

Other industry panels I’ll try to hit include the Bandai panel, the Bandai Surprise! panel (since, apparently, there will be a surprise there), the Funimation Announcements panel, the Kadokawa USA panel, since they may announce some of the production and distribution details from their Anime Expo announcements, and the Media Blasters Announcements panel.  The Fansubbing and the State of the Industry panels are on my secondary list.

As for fan panels, I didn’t go to many last year, since not many really appealed to me and this year looks even less favorable.  I also see that there is no podcasting panel this year.  That is one I wanted to hit last year, but couldn’t since the light rail stopped running before that panel ended.

As for guest panels, the JAM Project and Kano Sisters panels look interesting at first blush.

And of course, I may not get to all of these because of scheduling conflicts, while I may end up going to some I haven’t listed since they may be the only interesting thing going on at any given time.

Baltimore is going to be insane during Otakon.

Of course, the first reason is because of Otakon itself, which has had a paid attendance of over 20,000 for the past four years and will almost certainly will again this year (let’s go for 25,000 this year, since con attendance seems to be increasing generally).

However, that is not the only thing going on that weekend.

First of all, the Baltimore Orioles will be playing home games all three days of the convention at nearby Camden Yards.

Second, The Virgin Mobile Festival is being held at Pimlico race track August 9th and 10th.  Luckily it’s something like 4 or 5 miles from the harbor area, but that still means a lot of people (It had an attendance of 42,000 on it’s biggest day and 74,000 over two days, though many of those are repeats I’d imagine).

To just pile on, they are commissioning the $1.3 billion destroyer USS Sterett on August 9th, and that’s expected to bring 5,000 people - and that’s happening right there in the harbor area next to the USS Constellation.

So all-in-all, August 9th, which is a Saturday, could see something like 100,000 people hovering around Baltimore.

If anything, I’m just interested to see what’ll happen when some navy admiral passes someone cosplaying as Yoko or something.

Anime Expo Round-up

So, who scored big and who lost big (if that’s the best way to put it) at Anime Expo?

Well, it looks like the convention itself scored big once again with 43,000 paid attendees, which is up from 41,500 last year, a 3.6% increase.

Now, here is the licensing round-up from the convention:

ADV Films

While none of this technically took place at Anime Expo, obviously the big loser of the weekend was ADV Films who had Sojitz leaving their agreement with ADV, taking 32 anime licenses with them.  ADV said they had a new partner in Japan and were negotiating to get 23 new licenses, but nothing new was announced at AX.

Bandai Entertainment

Bandai Enterainment announced that they have licensed the Hayate the Combat Butler anime and the Girl Who Leapt Through Time manga.

Bandai also announced the dub cast for Gurren Lagann, as well as announced details regarding their new Honneamise label, which is where most of Bandai Visual’s titles are going.

Dark Horse

Dark Horse announced the license for the Neon Genesis Evangelion: The Shinji Ikari Raising Project manga by Osamu Takahashi.

Digital Manga

Digital Manga picked up more titles than God at AX, including:

  • Utahime - Princess Song by Aki
  • Overclock: Once in a Blue Moon by Riya Hozumi and Ryouko Seki
  • Ghost Hunt Scramble by Ototachibana
  • Tale of a White Night by Tooko Miyagi
  • 1 Sakura Hill by Fujiko Kosumi
  • Lyrical Nanoha StrikerS by Maki Tsuzuki and Kōji Hasegawa
  • RH Plus by Ayako Suwa
  • Time for Magic by Morehe Yoshida
  • Princess Princess+ By Mikiyo Tsuda
  • Happy Boys By Makoto Tateno
  • Wolf God by Ai Tenkawa
  • Otodama By Youka Nitta
  • Crimson Cross By Kyoko Negishi and Sakae Maeda
  • Millennium Prime Minister By Eiki Eiki
  • Hey Class President by Kaori Monchi
  • Dog x Cat by Yoshimi Amasaki
  • Desire-Dangerous Feelings by Shinobu Gotoh
  • Moonlit Promises by Souya Himawari
  • Tricky Prince by Yukari Hashida
  • Double Trouble by Takashi Kanzaki
  • Where has Love Gone? by Ryou Tsunoda
  • Then Comes Love by Riyu Yamakami
  • Pure Heart by Hyouta Fujiyama
  • The Way to Heaven by Yamimaru Enjin
  • Clan of the Nakagamis Volume 2 by Homerun Ken
  • The Object of my Affection by Nanao Okuda
  • Love/Knot by Hiroko Ishimaru
  • The Longest Time by Tohko Tateno
  • Live for Love by Jun Mayama and Itsuki Sato
  • Eat or Be Eaten by Jinko Fuyuno and Yamimaru Enjin
  • The Spiral of Sand by Yuna Aoi
  • Honey/Chocolate by Nanao Okuda
  • Manhatten Love Story by Monoko Tenzen
  • Planet of Earthquake by Miou Takaya
  • Cut by Toko Kawai
  • The Lonely Egoist by Hikaru Masaki and Masara Minase
  • When the Heavens Smile by Aki Senoo
  • Suggestive Eyes by Momoko Tenzen
  • Hey, Sensei by Yaya Sakuragi
  • Love Syndrome by Yura Miyazawa
  • Love Potion by Sakuya Fujii

Funimation

If ADV was the big loser this weekend, then Funimation was the big winner.  Again, while none of this technically was announced at Anime Expo itself, Funimation both picked up the right to distribute 18 Geneon titles, as well as picking up the rights to the 32 Sojitz titles that used to belong to ADV, giving then the rights to distribute 50 new anime titles, some of which hadn’t been complted or even started yet.

Out of the Sojitz announcement came the news that the OVA Murder Princess has been licensed.

Funimation also announced the dub cast for Ouran High School Host Club.

Go! Comi

Go! Comi licensed:

  • Angel’s Coffin By You Higuri
  • CROWN By You Higuri and Shinji Wada
  • Bound Beauty By Mick Takeuchi

CMX

CMX licensed The Name of the Flower by Ken Saito

Kadokawa Pictures USA

Kadokawa announced licenses for:

  • Coo ~ Our Guardian
  • H2O ~Footprints in the Sand~
  • Junjou Romantica
  • My Heartfelt Sympathy, Ninomiya-kun
  • Rental Magica
  • Spice and Wolf

Right Stuf/Nozomi

Right Stuf International announced new licenses for the Gakuen Alice anime series as well as DVD rights 1980 Toward the Terra movie (they had originally released it on VHS and Laserdisc).

TokyoPop

TokyoPop announced the following new licenses, among other things:

  • Phantom Dream By Natsuki Takaya
  • Tsubasa: Those with Wings By Natsuki Takaya
  • .hack//G.U. (novel) By Tatsuya Hamasaki
  • Peacemaker Kurogane (formerly released by ADV Manga) By Nanae Chrono
  • Momo Tama By Nanae Chrono
  • Castle of Dreams By Masami Tsuda
  • NG Life by Mizuho Kusanagi
  • This Ugly Yet Beautiful World By Ashita Morimi
  • Maid-sama! by Hiro Fujiwara
  • Demon Sacred by Natsumi Itsuki

Viz

Viz announced new licenses for:

  • Honey Hunt by Miki Aihara
  • Gestalt by Yun Kouga
  • Magic Touch by Izumi Tsubaki
  • Otomen by Aya Kanno

Internet at Otakon: options

I’ve once again started to look into my options (or lack thereof) for internet while at Otakon.  The biggest problem appears to be that there is no easy solution.  My choices appear to be:

1) Use Twitter + text messaging to update immeidately, update blog on the web at the hotel at night.  Cost: Free. Convenience: Very Low

2) Take a break every now and then and try to search out free wi-fi spots.  I tried connecting to the harbor free wi-fi last year a couple times, but never had much luck, and I’m not sure whether the Sheraton next door has free wi-fi that I could just pop in and use either.  For instant updates, one is still looking at the twitter option.  Cost: Free. Convenience: Low.

3) See if there are any pay wi-fi services in the area.  I may have more luck connecting, but I’d probably be looking at $20 per day week, and it still doesn’t do me much good unless I actually get a signal in the BCC.  Cost: Probably something like $60 $20 or so total. Convenience: High if I can get a good signal in the BCC.  Low if I can’t.

4) Sign up for a wireless access card rental, such as through here.  I can probably cut off a day of rental by having it delivered to my hotel on Thursday (if the hotel is up for that), but since the rental doesn’t end until “UPS scans [the return packaging],” I’m going to have to wait until Monday to end the rental when I can swing by the UPS store.  This also assumes that I can get it to work.  If not, that would be an expensive $90 wasted.  Cost: $80 to $90.  Convenience: Very High if it works

Someone else can let me know if there is another option, but this just about looks like it to me.