Moshidora – Episodes 1 – 3

I wanted at least two shows I could catch up on during the spring season. Unfortunately, the number of shows that looked interesting were pretty limited, or were 26 episodes long, which I didn’t really want to commit to at the moment.  Then I saw this show.  It seemed a little unusual, so I thought I would try it. It’s supposedly targeted toward a middle age audience, which is different.  I’m still not entirely sure about it based on it’s description, but I thought I would give it a shot as one of the two spring shows I went back and watched.

You aren't on fire, you're in hell. Management hell.

You aren't on fire, you're in hell. Management hell.

This has been a somewhat interesting show about trying to reform a baseball team, though I sort of feel like I’m watching some sort of infomerical where every now and then they’re like “and you can accomplish this just by buying this book! get it now!” I think some of the ideas that are portrayed in the series are good, but I’m still skeptical about the whole concept of reforming a high school baseball team just by reading a book.

It also just kind of feels like the attitude of the show is that people will just plod along doing things unless they’re told about some new idea by someone smarter or by a book. There are a lot of changes made which didn’t have to originate based on ideas from a book, yet the book is practically turning into the Bible for the team. While it may be helping some things, I kind of worry that it will also limit their thinking by thinking that everything they want to try has to be approved by “the book.”

I guess I”m not sure what I was expecting. I knew the book would play a part in the show, but like I said, they’re kind of using it as sort of Bible where if there is a problem, instead of thinking it through, they just whip out the book to find the answer. I’m not sure how realistic, or healthy, that is in the end.

Madoka Magica – Episodes 10 – 12 [END]

We learn the truth about Homura, how this is at least the 5th time loop she’s in, in her desperate attempt to save Madoka. However, she still can’t defeat Walpurgis Night on her own, and in an attempt to save Homura and all other magical girls, Madoka makes the wish to erase all witches from the past and future everywhere in the universe before they come into being.

Madoka finally makes her wish

Madoka finally makes her wish

The price for Madoka’s wish is that she essentially becomes god, and is omnipresent everywhere at all times, meaning that no one can sense her presence, except for Homura, probably due to her ability to manipulate time, and for some reason Madoka’s younger brother Tatsuya.  Evil isn’t eliminated – witches are replaced by demons formed by some unknown means, and magical girls whose Soul Gem becomes too corrupted simply die instead of becoming a witch.  It appears like that magical girls that died fighting witches, such as Mami and Sakura were revived, but magical girls that died or became witches via other means, such as Sayaka, couldn’t be revived (or at least, still died via some other means in the altered universe).

This certainly was a new and creative anime series, at least for me.  It took a concept – that of the magical girl – and basically turned it on it’s head by making becoming a magical girl almost entirely negative. One’s wish in order to gain magic almost always backfired, and then they eventually turned into the very witches they fought against.  And the makers of the series didn’t decide to take some easy way out either, even though they probably could have with Homura being able to time travel. Even if Madoka is content with her sacrifice, it’s still a rather sad ending – if one could call becoming something of a god a sacrifice.  It doesn’t seem like she is all-powerful, just omnipresent, kind of like being a ghost, except existing everywhere at every time.

Perhaps my only criticism of Madoka’s wish was that she didn’t wish for magical girls to not exist at all. If the magical girls didn’t exist, then the witches wouldn’t either. Maybe she didn’t do that because she agreed with what Kyubey said, that without the magical girls, human civilization may not even exist, so magical girls still had to exist, they may still despair and die, but they wouldn’t turn into witches.

I think there are other causality problems as well. Would Sayaka really have become a magical girl had Madoka not existed? Would any number of magical girls become so with witches having not existed. Hell, would Homura become a magical girl without Madoka existing? I suppose there is a timeline where she still would have become one, or maybe she is still one because she was insulated from the changes due to her own magical powers. Kyubey (I think) also mentioned that he doesn’t have the power to bring back the dead (which seems to be the one limitation to his power) which is perhaps why anyone who died before can’t be brought back now – though it seemed like Sakura and Mami were back, so that doesn’t really explain it, unless they were brought back only because they died fighting witches, which no longer exist.  There are still contradictions. Are they enough to sour the show? No, I don’t think so, but I thought I would still note them.

I’m not sure I would go as far as saying this was one of the best series of all time, like what it’s rating on MAL suggests, but it was certainly pulled off well. You got drawn into the characters and cared for them, even characters like Sakura who initially you never thought you could like.  I perhaps didn’t get as emotionally attached as I otherwise might have, since I watched this over the course of two days instead of 3 or 4 months, but I still thought the ending was touching.  The storytelling was great, revealing just enough bits and pieces to keep you interested, but not revealing the whole story until well into the show.  That on top of what I said above – turning the genre on it’s head and not doing the “everyone is happy, yay!” ending does make this a show worth watching. One’s heart kind of sinks knowing that Madoka is basically removed from the world, and her friend Sayaka still isn’t saved, but sometimes winning just isn’t perfect.

Madoka Magica – Episodes 7 – 9

So we finally discover the full truth behind the magical girls: It’s a process used by Kyubey aka. The Incubator in order to gather energy from the emotions from teen girls in order to prevent the heat death of the universe. As a result, all magical girls, eventually, become witches, and when that happens, Kyubey can gather their energy.  He is so intent on having Madoka become a magical girl because, with her latent power, she would provide an extraordinary amount of energy toward Kyubey’s goal.

Sayaka Reborn

Sayaka Reborn

As Sayaka and Homura noted, balance in the world has to be maintained, which means that the wish that is granted has to be repaid via an equal amount of negativity in that world, which is accomplished by the despair of the magical girls and the curses they cast once they become witches. The bigger the wish granted to become a magical girl, the more curses they cast as witches.

While Kyubey may have seemed cute and innocent at the start, it’s now clear he’s just using humanity to further his own goals, even going so far as to mislead Sakura into believing Sayaka could be saved, resulting in her death, putting Homura and Madoka in the position where, the only person who can save the city from Walpurgis Night is Madoka if she turns into a Magical Girl. If he can’t trick her into becoming a magical girl, then he’s going to try to coerce her into it by threatening everyone she loves with destruction if she doesn’t.

Speaking of Sakura, she’s come off as a bit better character in these episodes. In a way, she and Sayaka aren’t very different: they both made wishes to help others, only to have those wishes turn against them.  Sakura decided to turn her despair into a philosophy of doing things only for herself while Sayaka just gave up and became a witch.  In any case, as Sakura mentioned, the only time becoming a Magical Girl makes sense is if you have nowhere else to turn, such as when she was living in abject poverty or when Mami used her wish to save herself from death.

As for Homura, she appears to know everything because she’s able to use time manipulation. Whether that means she’s able to go back in time and “start over” whenever she fails, I’m not sure. All we know is that she’s from another timeline. She may not be able to go back in time within the same timeline, though she is able to pause time. One would think this will eventually come into play again in the final three episodes.

It seems likely that Madoka will eventually become a Magical Girl under some circumstances. For example one wish that was suggested by Kyubey (even though he said he couldn’t make suggestions before) was for her to become an omnipotent god. Perhaps with such a wish she could avoid the heat death of the universe herself, and perhaps change her fate of becoming a witch that way.

Mayo Chiki! – Episode 1

I wasn’t planning on blogging this series because I had Morita-san, but once I saw it was only 5 minutes long, I went to my backup show, which was this one. This is kind of the best of the rather dismal collection selection of light-hearted shows this season. It has some gender-bending in it (this time, a girl posing as a guy) which may give it some promise.  However, I’m rather afraid this will break down into a boring harem fan service show, but I’m still hopeful that it will be a show worth watching in the end.

Rule #1 if you're a trap: LOCK THE DOOR!

Rule #1 if you're a trap: LOCK THE DOOR!

OK, this one thought basically sums up the first episode of this series: REALLY?

At first it was the door on the bathroom. Who doesn’t lock it? And if it doesn’t lock, wouldn’t you normally go to another stall, especially if you’re a girl pretending to be a guy? I mean, unless NONE of the locks work.  But that paled in comparison to the storage room incident where in one fantastic moment of grabbing Subaru out of the way of a falling frog-in-formaldehyde, Kinjiro single handedly: unbuckled Subaru’s belt, unbuttoned, unzipped, and partially pulled down her pants, unbuttoned her vest, unbuttoned her shirt, spreading both wide open, and, if she was wearing a bra, either undoing it or pushing it away and landing his hand square on her boob.  I’ve seem a lot of gimmicks in shows to try to get girls naked, but this one was probably first time I audibly let out a “really? REALLY?” as a result. They couldn’t have done something at least remotely plausible like some random hook getting caught on her clothes and ripping them or something?

So, Kanade offers to heal Kinjiro of his girl-phobia in exchange for not revealing Subaru’s secret, though I”m not sure how happy I’d be about that since she looks like someone who could go all Kotonoha over his ass at any time. She is definitely more kowai than kawaii.  For that matter, at this point, so is Subaru. Kinjiro is basically surrounded by uber-violent females. No wonder he’s scared of them.

We’ve already seen some “hur dur Kinjiro is gay” jokes from his reaction to Subaru before he even knew her secret, and now that he can get all blushy over her knowing she’s a girl, I have a feeling those will continue, which will be rather annoying, but I guess some audiences aren’t as enlightened as others.

No. 6 – Episode 1

And arrives the second noitaminA show of the season, No. 6.  This is show is kind of a change of pace for me.  I typically steer away from shows like this, but the premise of this one sounded interesting enough to check out (especially given the other choices available). I’m rather wide open on my expectations on this show.  I hope it will be good, but I’m always hesitant about shows like this (which is why I don’t always pick to watch them).

Don't forget to wrap it

Don't forget to wrap it

Well, we get some brief history about how the city No. 6 came to be, and some hints that the city isn’t what it seems (even though we haven’t really seen much to suggest it’s much different, other than some suggestions that those with talents are provided pretty much everything they need, and the existence of the Moondrop thing.

My first thought was that, I thought things seemed to happen a little too easily, or perhaps people accepted things a little too easily. On the one hand one might be able to accept this as Shion being naive, but Nezumi seemed largely the same way.  He was a bit rougher, but it still just felt…odd. I don’t know if I’d say forced, but it was just weird to me. I just wasn’t sure about the writing overall in this episode. I definitely think it has potential, but it also has the potential to go off the rails too, I think.

Naturally, it looks like Shion will get in trouble for sheltering Nezumi overnight, so we’ll see what happens with that (though one can guess from the show’s synopsis).

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